6月1日-30日，伦敦建筑节（London Festival of Architecture）举行。整个六月，盛夏的伦敦充满了节日的气氛，旅游的主题、建筑装置和令人惊叹的创作使游客流连忘返；Studio Lates的辩论精力充沛；特别的空间内的工作坊和新地方的旅行；展览和定制的艺术委员会；政治讨论和许多新建筑——伦敦建筑节对每个人都有所帮助。

伦敦建筑节的400多项活动的大型项目由多元化的独立组织和个人完成——从根本上使有关建筑和城市的辩论民主化。今年，伦敦建筑节的主题是“界限”。

The London Festival of Architecture takes place across London this June. With an amazing programme of events and activities, we welcome everyone into the conversation around architecture and our city.

We’ll open the doors to iconic tours, architectural installations and stunning brick creations; energetic debates to Studio Lates; workshops in extraordinary spaces and tours of new places; exhibitions and bespoke artistic commissions; political discussions and lots of new construction – the London Festival of Architecture has something for everyone.

What makes us unique is that our vast programme of more than 400 exceptional events is delivered by a diverse mix of independent organisations and individuals – helping to radically democratise the debate about architecture and our city. Our theme for this year’s festival is ‘boundaries’.

 

 

2019德威画廊馆：彩色宫殿

Dulwich Pavilion 2019: The Colour Palace

 

彩色宫殿成为伦敦建筑节德威画廊的第二个展馆。这一次，它由建筑工作室Pricegore和艺术家Yinka Ilori设计。这座名为“彩色宫殿”的展馆色彩缤纷的外观借鉴了拉各斯市场上的荷兰印花图案纺织品。

展馆在由预制混凝土排水渠道形成的四个底座上升起，提供一览无余的花园和画廊本身的视野，该建筑于1811年由英国建筑师John Soane建造。它的明亮色彩与19世纪的砖石形成鲜明对比。“彩色宫殿”的轻质木质百叶窗以对比色调绘制，每个侧面的图案都以不同的颜色绘制，当参观者周围移动时，它看起来会发生变化。展馆内的庭院空间将用于举办会谈和戏剧表演等活动。

Pricegore建筑工作室由Dingle Price和Alex Gore创立，总部位于Peckham，伦敦艺术家Ilori拥有尼日利亚传统。作为一个团队，他们利用他们的交叉背景创建了一个旨在反映伦敦多元文化主义的展馆。

The Colour Palace becomes the second pavilion to be built in the grounds of the Dulwich Picture Gallery for the London Festival of Architecture. This time around it has been designed by architecture studio Pricegore and artist Yinka Ilori. Called The Colour Palace, the pavilion's colourful exterior draws on the patterned textiles of Dutch prints found in the markets of Lagos and mirrored in Peckham's 'Little Lagos'.

John Soane's Dulwich Picture Gallery informs summer pavilion for London Festival of Architecture

The pavilion will be raised on four plinths formed from precast concrete drainage channels so as to provide unobstructed views of the gardens and the gallery itself, which was built in 1811 by British architect John Soane. It's bright colours are designed to contrast with the 19th century masonry. Lightweight timber louvres of The Colour Palace will painted in contrasting hues that will produce a colourful pattern of primary shapes. Each side's pattern is painted in a different colour-way, so it will appear to shift as visitors move around the structure. A courtyard space inside the pavilion will be used for events such as talks and theatre performances.

Founded by Dingle Price and Alex Gore, Pricegore architecture studio is based in Peckham, and London artist Ilori has Nigerian heritage. As a team, they drew upon their intersecting backgrounds to create a pavilion that aims to reflect London's multiculturalism.

 

 

2019年旧肯特路上的每栋建筑物

Every Building on the Old Kent Road 2019

 

Anise Gallery和Matthew White为2019伦敦建筑节策划了旧肯特路的摄影文件。向Ed Ruscha的“1966年日落大道上的每栋建筑”致敬，最后的作品将呈现道路两侧1.8英里的正面图，描绘了建筑、规模和文化。

这些照片使用与Ruscha标志性作品相同的方法，从一辆将沿旧肯特路行驶的移动卡车上拍摄。然后，在后期制作中将它们拼接在一起，可以将道路的完整概览视为一个前所未有的视角。

旧肯特路有着悠久的历史，但由于贝克鲁地铁线延伸到刘易舍姆区，可能是迄今为止最突然的变化。计划中的地铁隧道扩建已经制定了重大的开发计划，包括在未来20年内将有20,000个新家庭和5000个新工作岗位。因此怀特的摄影将成为这条伦敦道路的重要历史记录和文件。

For the London Festival of Architecture 2019, Anise Gallery and Matthew White are curating a photographic documentation of the Old Kent Road. A homage to Ed Ruscha’s ‘Every Building on the Sunset Strip 1966’ the final work will be presented as an elevation of the full 1.8 miles on either side of the road, depicting the architecture, scale and culture.

Using the same methodology as Ruscha’s iconic work, the photographs will be taken from a moving truck that will drive along the Old Kent Road. Stitching them together in post production will then allow a complete overview of the road as one image, a never before seen perspective.

Old Kent Road has a long evolving history, the changes due to the Bakerloo Line Extension to Lewisham could however be the most sudden to date. The planned tube extension has caused major development plans to be drawn up including 20,000 new homes and 5000 new jobs over the next 2 decades. White’s photography will therefore become an important historical record and document of this London road.

 

 

纸城堡

Paper Castles

 

“纸城堡”想象了未来的替代建筑，漂浮在过去之上。邀请了15个实践来创建一个纸质模型，以便在V＆A的建筑图库中展示案例。这些新模型与下面的模型进行对话，并以此历史为基础，展望未来。

Paper Castles imagines alternative future architectures, floating above the past. Fifteen practices have been invited to create a paper model to sit on top of the cases in the V&A’s Architecture Gallery. These new models sit in dialogue with those underneath, building on this history to project into the future.

 

 

木制议会

The Wooden Parliament

 

由西班牙建筑师Cristina Díaz Moreno和马德里Amid Cero9事务所的Efrén Ga Grinda设计的临时木制展馆将在整个艺术节期间与Tom Dixon伦敦总部一起矗立在国王十字路。

这座七米高的建筑设有座位，在其内部形成看台。它将用于举办由建筑博物馆组织的活动，包括音乐表演、儿童工作坊和绘画工作坊。

A temporary wooden pavilion, designed by Spanish architects Cristina Díaz Moreno and Efrén Ga Grinda of Madrid-based practice Amid Cero9, will stand alongside Tom Dixon's London headquarters in King's Cross throughout the festival.

The seven-metre-high structure will have seating arranged to form stands in its interior. It will be used to host events organised by the Museum of Architecture, including musical performances, children's workshops and drawing workshops.

 

 

All Alsop Whistlestop之旅

 

All Design，由已故建筑师Will Alsop创立的建筑工作室，邀请人们参加自助游——无论是散步还是乘坐公共交通工具——参观建筑师在该市最著名的建筑。

这次旅行从最近在Whitechapel完成的Neuron Pod教育中心开始，经过包括Heron Quays DLR站和Stirling Prize获奖的Peckham图书馆在内的建筑物，然后在Doodle Bar结束。

All Design, the architecture studio founded by the late Will Alsop, is inviting people to take a self-guided tour – either walking or on public transport – visiting the architect's best-known buildings in the city.

The tour starts at the recently completed Neuron Pod education centre in Whitechapel and goes via buildings including the Heron Quays DLR station and Stirling Prize-winning Peckham Library, before ending at Doodle Bar.

 

 

Part W——替代名单

Part W – The Alternative List

 

替代名单是Part W首次公开宣传那些一直被忽视的女性建筑师。自1848年成立以来，皇家金质奖章仅授予一名妇女，以及三个夫妻团队。备选名单旨在提高认识活动，以引起人们对整个行业中女性受到认可和重视的持续性别不平衡的关注。

替代名单要求提供几个世纪以来的女性提名，因为皇家勋章要求“直接或间接地为建筑作出重大贡献”。由此产生且不断变化的名单，产生了过去171年以及全世界为建筑环境做出了不可思议的贡献的女性的100多项提名。

伦敦建筑节的核心活动之一，6月13日的“GOLD：Part W”将有10位嘉宾发言人谈论他们提名的替代名单。这是一个了解一系列令人惊叹的女性，包括个人和集体的机会。

The Alternative List is the first public campaign by Part W that celebrates women who have consistently been overlooked and unrepresented in architecture. Since its inception in 1848, the Royal Gold Medal has been awarded to only one woman in her own right, and three husband and wife teams. The Alternative List is intended as a wry awareness-raising campaign, to bring attention to the continual gender imbalance in the way women across the industry are recognised and valued.

The Alternative List ask for nominations for women across the centuries who have, as the Royal Medal requires “made a significant contribution either directly or indirectly to architecture”. The resulting and continually evolving crowd-sourced list sees over a hundred nominations for women who have made incredible contributions to the built environment over the past 171 years, and throughout the world.

One of the London Festival of Architecture’s Core Events, “GOLD:Part W” on 13th June will see 10 guest speakers talk about those they have nominated for the alternative list. This is an opportunity to learn about a range of amazing women, both individuals and collectives.

 

 

向伦敦拉斯维加斯学习

Learning from Las Vegas in London

 

活动在伦敦的Hippodrome赌场举办，受到Robert Venturi、Denise Scott Brown和Steven Izenour的经典后现代文本的启发，“向伦敦拉斯维加斯学习”展示了一个象征、装饰和无节制的夜晚。活动称得上是建筑的“后现代主义的爱情”。

一场夜总会的歌舞表演将揭开首都中心的品味界限，展示讲座、表演和电影，探讨这本书的遗产和伦敦的美学和建筑。主要策展人、建筑师、设计师和学者将审视我们对后现代主义的热爱，以及它在一个已成为奢侈品的国际象征的城市中的起源。

Hosted in London's Hippodrome Casino and inspired by classic postmodern text by Robert Venturi, Denise Scott Brown, and Steven Izenour, Learning from Las Vegas In London presents an evening of symbolism, ornament and excess. this event will investigate architecture's "love affair with post modernism".

An evening of cabaret-style presentations will unravel the boundaries of taste, set in the heart of the capital, featuring talks, performances and films that will explore the book's legacy and London's aesthetics and architecture. Key curators, architects, designers and academics will examine our love affair with postmodernism and its origins in a city that has become an international symbol of extravagance.

 

 

边境地区：城邦内的边界

Borderlands: Boundaries within the city state

 

伦敦是一个美妙的大都市，但那些在城市生活和工作的人都知道它是许多不同封地的聚集。每个地方都遵守自己的规则，珍惜自己的身份。没有所谓的伦敦人；人们认同当地社区，以及周围的物理环境和历史。这种激烈的地方主义品牌对建筑和规划具有连锁效应，但落在两者之间的地方会发生什么？自治市镇不太关心他们在邻居身上的影响。此外，边界提供了对特定区域和居住在那里的人口责任的不确定性。因此，边界可以产生被忽视的景观，但它们也为创新和实验提供了巨大的机会。Boundary Estate改变了几代人的社会住房，我们可以利用隐藏的腹地创造一个更美好的城市吗？

London is wonderful metropolis but those that live and work in the city know that it is really the congregation of many different fiefdoms. Each place abides by its own rules and cherishes its own identity. There is no such things as a Londoner; people identify with their local community, as well as the physical context and history of their surroundings. This brand of fierce localism has a knock-on effect for architecture and planning but what happens to the places that fall between the gaps? Boroughs care less about the impact of something they build on their neighbour. Also, borders provide uncertainty about responsibility for particular areas and the populations that live there. Boundaries can therefore give rise to neglected landscapes but they also provide huge opportunities for innovation and experimentation. The Boundary Estate changed social housing for generations, can we use hidden hinterlands to create a better city?

 

 

宣言：新一代建筑

Architecture for a New Generation

 

“宣言：新一代建筑”是伦敦建筑节与设计博物馆之间的合作，突出了新一代建筑界的声音，为伦敦塑造了一个新的未来。

伦敦给年轻人带来的挑战正在塑造建筑的边界，以及在这个城市成为建筑师意味着什么。移民、住房危机、就业市场受限、工作条件岌岌可危、公共服务和设施削减、种族歧视和帮派暴力只是当今年轻人面临的一些决定性挑战。在伦敦，它们为城市带来了紧迫而复杂的空间挑战。

针对这些条件，新一代的建筑声音正在为伦敦的城市景观提出另类愿景。这些宣言优先考虑协作、对话、学习和行动，以应对不断变化的城市的真实物质和社会条件。他们往往由集体控制着专注于公共组织和民主化的个人。

这一事件带来了一系列新兴的建筑声音，这些声音正在扩展建筑的边界，比如，伦敦为谁而存在？伦敦的未来是什么样子？

‘Manifestos: Architecture for a New Generation’ is a collaboration between London Festival of Architecture and the Design Museum, highlighting work by an emerging generation of voices in architecture who are shaping a new future for London.

The challenges that London poses to young people are shaping the boundaries of architecture and what it means to be an architect in this city. Migration, the housing crisis, a constrained jobs market, precarious working conditions, cuts to public services and facilities, racial discrimination and gang violence are just some of the defining challenges facing young people today. In London, they present urgent and complex spatial challenges for the city.

Responding to these conditions, a new generation of architecture voices are proposing alternative visions for London’s urban landscape. These manifestos prioritise collaboration, dialogue, learning and action in response to the real material and social conditions of a city in flux. They are often steered by collectives over individuals focused on public organisation and democratisation.

This event brings a group of emerging voices in architecture that are expanding the parameters of what architecture can be, who London is for and what its future holds.

 

 

典型英国花园：本土意味着什么？

The Quintessential English Garden

 

Lily Jencks Studio在金丝雀码头的卡博特广场安装了一个弹出式花园“典型的英国花园：本土意味着什么？”本地化、植根化和源于一个地方意味着什么——就像本土植物——或者是全球性的、短暂的和非本土的？它将挑战人们重新评估“本土/异国情调”和“自然/人造”这些术语的历史和语言的界限，以及充满意义的俏皮花园。

斯托海德花园代表英国如画的风景，让大自然流动，让人们从一个想法徘徊到下一个想法。同样，我们的花园使用叶状地形座位，围绕着印有树木、多年生植物和图形创意的斯托海德的大型印刷图像，使这一场景焕发生机。

Lily Jencks Studio will install a pop-up garden ‘The Quintessential English Garden: what does it mean to be native?’ at Cabot Square in Canary Wharf. What does it mean to be local, rooted and originating in a place - like an indigenous plant that has always belonged – or global, transient and non-native? It will challenge people to reassess the boundaries around the history and language of the terms native/exotic, and natural/man-made, with a playful garden rich with reference and meaning.

Stourhead typifies the English Picturesque, allowing nature to flow naturally, and people to wander from one idea to the next. Similarly, our garden uses leaf-shaped landform seats, arranged around a large printed image of Stourhead planted with trees, perennials and graphic ideas, that bring this scene to life.